Friday, 3 December 2010

Key Theoritical ideas for 'women in contemporary film' case study

Althusser's theory of interpretation
Laura Mulvey's notion of the male gaze

Louis Althusser
  • Marxist arguing power exists in different forms
  • Via repressive state apparatus (police, economy etc)
  • Via ideological means e.g. culture, power of the media exerting a form of hegemony over the public and creating dominant ideologies

How does interpretation fit into this?

  • Coined by Althusser in 1971, notion of interpretation is practice of 'misrecognising' yourself or 'false consciousness' - Marxist
  • Image presented by the media is an ideal one, which is impossible for us to maintain

Do you feel that you 'misrecognise yourself?'

  • Does the media construct identities for you?
  • Does it reflect who you are or tell you?
  • Do you become complicit in allowing yourself to be presented in certain ways, as a result of being a 'consumer' of the media?

What do Marxism and feminism have in common?

  • Both challenge the cultural power of the media to represent reality

Laura Mulvey and the notion of 'the male gaze'

  • Coined in 1975, height of feminist studies
  • Argues camera is always from a male perspective and has led to objectification of women - binary approach to gender implies that men are active, rendering women as passive
  • women were 'complicit' in their objectification, allowing themselves to be 'constructed by men' (similar to false consciousness)

What are arguments against theories?

  • Marxist theories present cultural power of media as a form of control and not a flexible instrument, responding to changes
  • Is feminism a dirty word? Are women, as a result of their biology all the same? This monolithic approach has been criticised as it does not take into account factors like ethinicity and age
  • Critics who assert that we live in a post feminist age, and sexism of the past is now only presented in an ironical way
  • David Gauntlett - 'We live in a post traditional society'

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